28
Aug

Just One Board is a skateboard-recycling program created to benefit underprivileged youth, engage skateboarders with their local community, support skateboard retailers and serve as the base of a campaign promoting the positive power of skateboarding.

Surf Expo attendees have a great opportunity to help at-risk youth while clearing their shelves of used or excess skate decks, wheels and trucks.

“The mechanics are simple: bring your functional used or excess product to the IASC booth at Surf Expo and we’ll assemble and distribute it to at-risk youth around the country with the help of skate shops and youth organizations,” says IASC Executive Director Josh Friedberg.

As an incentive, IASC has secured $1,000 MSRP worth of current and first-quality product from IASC Member companies as prizes for the Just One Board contest at Surf Expo. A first-place prize of $500 worth of product will be given for the most trucks donated. A second-place prize of $300 worth of product will be for the most wheels and bearings donated. Finally, third place ($200) will be given to the shop donating the most decks.

“By collecting used skateboard equipment, refurbishing and distributing it, we’re keeping that skate gear from becoming environmental waste,” continues Friedberg. “What’s more, shops gain a direct opportunity to support their community, youth organizations can introduce healthy skateboarding activities into their programs and most importantly young people who wouldn’t otherwise have the opportunity are given the chance to learn a new skill that gives them a healthy physical outlet and instills important character traits that last a lifetime.”

According to Surf Expo brand manager Sean O’Brien, “Surf Expo is happy to participate in this program, which ultimately helps grow the entire market. We encourage all our retailers to collect used skate gear from their customers and then bring those donation with them to Surf Expo where it will be given new life through the Just One Board program.”

Surf Expo will not only serve as a point for the collection of skate gear, but will also facilitate the shipping of donated product back to the IASC offices where it will be refurbished and then distributed. Components can be used, but need to be in functional condition. Wheels need to be zip-tied in sets of four and trucks in sets of two.

“Surf Expo’s generous support of Just One Board is a huge help in raising awareness of the initiative,” says Friedberg. “Since our presentation at the IASC Skateboarding Summit last May they’ve made it a point to get involved: committing time, energy and money towards growing the program. We couldn’t ask for a better partner and I’m really excited to see how our first donation contest goes at the September show.”

The idea behind Just One Board is simple, the cumulative effect of the program is powerful. Instead of millions of boards winding up in landfills every year, used skateboard equipment is being recycled into a community-building tool to affect positive change in cities all over the world. For more specifics or information on how to get involved please contact Josh Friedberg (949) 455-1112 or josh@skateboardiasc.org.

The International Association of Skateboard Companies is the member-owned not-for-profit trade association of skateboarding. The mission of the IASC is to represent the global skateboarding community with a united voice by listening, understanding and acting on the needs of skateboarders and the skateboard industry. IASC’s goals are to promote skateboarding, increase participation, educate and save our members money. IASC serves its members and the skateboarding community by focusing on areas that affect not only the business but the overall sustainability and health of skateboarding as a whole. About GSF The Go Skateboarding Foundation was created to serve as the charitable arm of IASC. A donation to the GSF helps fund programs that promote skateboarding and make a positive impact on society and in the lives of young skateboarders. Along with supporting skate-related charities like Skateistan, the Next Up Foundation, the Tony Hawk Foundation, the Johnny Romano Foundation, and iRide / iRecycle the GSF is focused on highlighting and supporting the efforts of people who are making a positive impact on the world using skateboarding as a tool to empower youth.

Source: SurfExpo

Posted in Minihipster, StyleFiles, StyleFiles, industryComments (1)

MiniHipster Contributor Kari Nyack, children’s stylist and owner of Stye My Baby London, spent some time at the international kids Trade Show BUBBLE London and has shared her secret finds, new brands and the up and coming names to watch out for. Kari found so many great brands that we had to split this report into 2 parts. Below is part 1 and we will post Part 2 tomorrow:

Bubble London is a kids focused trade show where retailers can meet exhibitors from every aspect of the kid’s industry: fashion, interiors, toys and more.

On the 17th and 18th of June I made my way down to the Business Design Centre in Islington (London) to see what’s in store for all your ‘Mini Hipsters’ for Spring Summer 2013.

There were so many fabulous collections from so many fabulous brands, some you may already know and some are fairly new to the industry, all in all, you are in for a treat! So here they are:

No Added Sugar- New for SS13 is boys, girls and baby swimwear, sunglasses, Liberty print pieces, lots of metallics and soft greens.

Mischka Aoki- New colours include jade greens and deep pinks. Fur fabrics and a ‘Flamenco’ style cut.

We were invited to a garden party with Tom & Drew and Liv. The stand looked magnificent with brick walls, green grass, flowers, butterflies and garden furniture. The Tom and Drew collection showed their ever popular tailored pieces, plaids, checks and pin stripes. Soft pastel coloured bow ties as well as a new leopard print fabric (my favourite!)

Del Toro for Tom & Drew- The camouflage brogue is one of my favourite pieces in the whole show. Designed by Del Toro, hand made genuine leather, with custom coloured sole and laces.

Pictured above is Bubble ‘Stand Out’ competition winner Indikidual, and well deserved in my opinion. Syreeta Johnson (founder and designer), has carefully considered every last detail in-keeping with the personality of the brand. I love the sticks that have been customised with pipe cleaners, beads and feathers in her pop up craft workshops, where kids come to play and be creative. The newspaper style Lookbook is also very original, along with Syreeta’s business cards, which she lets her daughter customise with felt tip pens! This brand screams cute, creative and practical, truly Indikidual!!!

Tutu De Monde – Every little princesses dream! Mixing imagination and style. Some casual pieces have been added to this collection, including stripey leggings and casual tees with a touch of sparkle of course.

Silvean Heach- Lots of finds in this sustainable garden. For boys we have nautical stripes and colours, for girls we have lots of soft yellows and browns.

Catch Part 2 of Kari’s report tomorrow.

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28
Oct

As far as resumés go, male model Hudson Kroenig’s is very impressive.

He has walked the runway for Chanel, starred in a Fendi campaign and calls Karl Lagerfeld ‘uncle.’

It’s a little unnerving, then, that Hudson Kroenig is just three years old – and that he was just one when he provoked a thousand coos across the fashion world when modelling at Chanel’s Paris Fashion Week show.


With a father like Brad Kroenig, super male model and close friend of Lagerfeld, Hudson’s childhood was perhaps never destined to be dull.

In a set of photos that will make some melt and others shake their heads in despondency towards the state of high-end fashion, Hudson’s wardrobe, complete with Chanel boots, Fendi hi-tops, designer scarves and vast range of Nike sneakers is paraded for the adult world to see.

Not to be out-done, the tiny blond’s coutour Chanel ‘Canadian tuxedo’ – double denim, that is – sits alongside specially-made Karl Lagerfeld ‘teddy bears’. Think cuddly toys with white fur, dark glasses black blazers and signature high collars.

Describing the photos at The Coveteur, father Brad, 32, is more than happy to accentuate his son’s premature fashion prowess.

‘Hudson loves doing pictures with Karl and was so excited to go to Paris for the Fendi shoot. He talked about it for weeks,’ narrates Lagerfeld muse, Snr.

The boy is most likely unable to write his name yet, let alone understand the sartorial concept of ‘layering’, so it is with a pinch of salt that we take this next comment: ‘Hudson likes to get dressed up, especially in jackets & blazers. This is one of his favorites. He loves accessories and loves to layer items. Scarves are his new favorite.’

The words hover next to a light blue striped summer blazer by Crewcut and a Fendi scarf, aviator sunglasses tucked into the outfit’s collar.

Brad, who has been the face of campaigns for DKNY, Gap, H&M and Roberto Cavalli, is even the subject of Metamorphoses of an American, a book chronicling the Florida native’s modelling career by Karl Lagerfeld.

Describing a tiny grey vest, the proud father says: ‘This is the vest he wore in the Fendi Campaign’ – as shot by Lagerfeld – while a bold pair of silver and blue Nikes are apparently chosen by the mini model himself.

‘He loves Nikes & thinks all the different colors are cool. We always let him pick which pairs he wants to buy from the store,’ says Brad.

‘Karl has been so kind and sweet with Hudson. Hudson loves spending time with him and gets so excited when Karl comes to NYC or when we go to Europe to visit him,’ he goes on.

The Chanel creative has photographed the budding fashionisto a number of times, and one shot shows a framed photo of Hudson, as taken by Uncle Karl. The child even sleeps with one of Lagerfeld’s gifted dolls. Perhaps taking a lead from his Chanel stylists, Hudson seems a particular fan of the cowboy aesthetic.


‘He loves his cowboy boots!! He even wears them in the sandbox at the playground!’ says the former Abercrombie & Fitch face and self-declared ladies’ man.

‘Hudson loves to take pictures with Daddy. He definitely looks up to Daddy and thinks its cool to participate in special shoots. Hudson always talks about all the “pretty model girls,” already a ladies man. Wonder who he takes after…’

To be fair, though, it’d take a hard woman not to be charmed by the toddler – especially if he’s on the hand of his dashing father.

Source: The Daily Mail

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03
Oct
OnLocation: StyleFiles

MiniHipster.com listed by NYmag as a niche streetstyle innovator!

From New York magazine’s fashion blog, The Cut:

The Internet is saturated with street style documentarians, especially those featuring the smartly accessorized and well-layered denizens of the globe’s coolest cities. We’ve got nothing against well-heeled editors or models in the wild, but it’s time to take a look at a rarer breed of bloggers: Those who focus their lenses on unlikelier subjects, whether of certain age, size, sexual persuasion, or even, in two cases, species. Some have created new categories or reimagined the medium, shunning photography in favor of illustration. We tracked down several street style innovators — past and present — to see what motivated them to spotlight more offbeat subjects.

Click through here to see more..

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11
Nov
OnLocation: melissa

Popular Australian blogger, Mia Freedman of mamamia, contributes to MinHipster today on the fall out from the launch of the Witchery Kids advertising campaign and their ‘overly adult’ use of their mini-models:

Whatever kind of day you’re having? The people at Witchery are having a worse one. They are currently buried deep in the midst of what is commonly called hell. All because of the images used to launch their WitcheryKids range.

As I have said, oh every second week, I own rather a lot of Witchery. Clothes, shoes, accessories. I’m a fan. So I was tickled when I heard they were bringing out a kids’ range since I’m always looking for well-priced, well-made basics for my lot.

When it was finally released a few weeks ago, the imagery I saw made me pause. Not in a good way. The clothes, I quite liked. The images, I didn’t. I thought the kids looked sullen, posey and fashion-magish. Not in a sexualised way (I think that term is WAY over-used and there was nothing sexy about the catalogue shots) but just in an….adult modelly way. The way my daughter sometimes looks when she’s having a strop and I have to scurry off to find her birth certificate to confirm that she is actually 4 and not 14.

Mothers of girls? You’ll know what I’m saying.

So while I was really disappointed, I decided not to post about it because it didn’t push my buttons in the same way as these images did . Or these. Not even close.

And I’m not of the belief the word ‘sexualised’ should apply here – are you?

However, to me, this is just a side of childhood that kids have in them that I don’t like. The bit where they try to be adults or try to act like adults. I much prefer kids – my own and those in advertising to be smiling and laughing and being silly. Not trying adulthood on for size. But I am not a creative director of anything other than Mamamia so my opinion is just that.

witchery kids 1 There’s a difference between ‘adult’ and  ‘sexualised’..

The timing was certainly interesting. I happened to be having a meeting with Witchery a few days later about something else and after several readers emailed me their concerns, I promised them I would share them with Witchery in that meeting. I did.

Witchery kids pants and str There’s a difference between ‘adult’  and ‘sexualised’.
I also warned them that this was going to blow up I’m just surprised it took this long.

[TANGENT: My other annoyance (that I mentioned - gee, what a fun meeting it must have been for Witchery!) was that so many of the items in the catalogue pictures were captioned 'models own' which doesn't usually mean they're actually the models own, just that you can't buy them. Mostly 'models own' in a caption means they belong to the stylist or were sourced especially for the shoot - something that strikes me as very odd and frustrating given that we're talking about the launch of a kids' fashion brand - if I can't buy half the things in the shots, is there a point?

Especially when Witchery's adult accessories - shoes, hats, belts, bags - are among their strongest products. I can only assume it could have been the same for the kids' range. A lost opportunity, one that frequently happens when stylists get too tricky and lose sight of the fact they are creating more than a mood, they're trying to entice people to buy stuff. Stuff that they can see in the shots telling them to go buy stuff.]

I’m not about to go into detail about what we discussed in that meeting but I do believe that Witchery never intended to produce images that would cause controversy. Let alone be ‘sexy’. I know the photographer personally, in fact. Used to work with her when I was in magazines. She is a mother and will probably be horrified by all this, as are the people at Witchery. As cynical as some might be, nobody intends to create a media tsunami like this. It’s just not smart buisness. And that was certainly communicated to me at the meeting.

My belief is that it’s just an indication of how out of touch the fashion world can be with the real world sometimes. That nobody looked at these shots and said “hang on”, well, that’s a bit surprising.

Here is a summary of the opinion on this story currently swirling including a statement from Witchery:

“We are disappointed to learn of the concerns surrounding our Witchery kids imagery, the intention of our campaign was to portray kids with confidence, individuality and a fashion attitude which we felt reflected the product range and our overall brand vision.

Overwhelmingly the majority of feedback we have received regarding our campaign and product range has been very positive. In August 2010 Witchery kids launched across 18 stores in Australia and New Zealand and the response has exceeded our expectations.”

From their website: Witchery Kids is playful, candid and real. Our well-priced, seasonal collections for boys and girls aged 2 – 9 are inspired by up-to-the-minute adult trends and styled for the smaller set. We believe that fun and imagination are at the centre of every child’s universe and our ranges reflect this. Confident and individual, WitcheryKids is for kids who want and know how to choose clothes that express their personality and desire for independence. It’s time to grow up in style!

Blogger Jodie Benveniste from Parent Wellbeing said:

In this statement, WitcheryKids does appear to be taking a bet each way. They say they are styling kids according to adult trends, and suggest their clothes are a way for kids to look more ‘grown-up’.

But they also talk about childhood as being about fun and imagination even though none of the kids in the advertising campaign look like they’re having ‘fun’. There is not a single smile.

From New York Magazine:

Witchery kids There’s a difference between ‘adult’ and  ‘sexualised’..

Kid Models Who ‘Look Like Recalcitrant Teenagers’ Called ‘Dangerous’
Children’s fashion no longer boils down to just bibs, stroller charms and the only Crocs most fashion-concerned people can excuse. High-end and mass labels have been cornering the market in recent years, especially lately since in hard economic times, grown people still allow themselves to spend on their kids. And even more recently, kids have skyrocketed to the high fashion runways. Chanel cast a male model who was literally 2 years old for yesterday’s show, and two women have walked major shows this

season with their future children growing in their bellies. One thing is clear: Kids are not a game. They are now fashion.

But this is not something everyone can handle. Australian label Witchery is getting heat for treating its kids’ clothes like adult clothes, and marketing them as such. The images you see here, in which the child models pose like jaded grown models, are offending children’s charity Barnardos, for one.

A Barnardos spokeswoman explains:

“They look like recalcitrant teenagers, I think this is a really dangerous direction,” she said. “I think it’s offensive. The whole point of early childhood is to be joyous and free. Children as young as five are now going on diets, are worried about how they look, how they present—this just should not be an issue for children. It’s really sad that people are trying to redefine what early childhood means.”

Yes all children must be happy! However, she has a point about the posing — there’s plenty of time later in life for that. Then again, they’re probably only like a month away from starting their adult modeling careers.

From The Punch Editor David Penberthy:

witchery kids 4 208x300 There’s a difference between ‘adult’ and  ‘sexualised’..

There is an important and valid debate surrounding the sexualisation of children, and the images to which they are so readily and randomly exposed. It’s pretty ordinary that you can’t leave your kids in front of the TV on a Saturday morning for ten minutes without some ass-shaking hip-hop video popping up on the screen.

Equally, criminal charges should be considered against the people who invented Bratz dolls, which not only look like skanky tarts, but in their cartoon form teach kids how to backchat their parents (and squabble with their friends) in a smart-alec Californian tone. Finally I would encourage everyone to throw buckets of black paint over the billboards urging us all to have longer lasting sex.

That said, the folks at Kids Free 2B Kids have taken things to a crazy new level whereby they are now finding outrages where none exist.

This week’s confected indignation involved a new line of kids’ clothes by the perfectly reputable fashion retailer Witchery. The clobber looks like a smaller-sized version of the sort of smart-casual chambray and linen gear you’d get from Country Road or Gap – you know, the preferred weekend wear of us middle class folks with no eye for fashion.

But judging from the reaction of Kids Free 2B Kids – jeez I hate typing that – you would have thought that Witchery was trying to deck the kiddies out in Spandex and get them to re-enact the dance scene from Little Miss Sunshine.

They enlisted Barnados Ambassador and former Play School host Noni Hazelhurst to the cause.

“The whole point of early childhood is to be joyous and free,” Hazelhurst said. “Children as young as five are now going on diets, are worried about how they look, how they present – this just should not be an issue for children. It’s really sad that people are trying to redefine what early childhood means.”

All of those points are legitimate ones, it’s just hard to see what they’ve got to do with this bland, boring range of clothes, and the inoffensive advertisements promoting them.

It puts a decent company such as Witchery in an invidious position where – in the face of the totally preposterous imputation that they’re perverts – they have to dignify the charges with a muted and balanced response when a “get real, are you people mad?” would be more apt. The whole affair says less about an ever-increasing threat to children, and more about our ever-increasing propensity for knee-jerk outrage where we splutter indignantly first and then think second.

So what do you think? Do you see a difference between images which are too ‘adult’ and images which are ‘sexualised’?

Or do you just think that we need to take a collective chill pill?

Do I wish they’d re-shot the images? Sure. Will I continue to shop at Witchery? Absolutely.

In fact, I went to Chadstone to see the WitcheryKids range last month and bought a few bits for my daughter (the clothes aren’t too adult, it’s just the styling and art direction).

Thank-you to Mia Freedman & mamamia for permission to publish this article.

Posted in StyleFiles, brand spotlight, industryComments (2)

We visited the L’Oreal Melbourne Fashion Festival to see the latest Fall/Winter 2010 collections being shown from a selection of Australia’s grooviest children’s labels. There was plenty of colour and tights made an appearance on both boys and girls. Lots of floaty and flowery dresses for the ladies and boys, the skinny jeans haven’t gone anywhere. The Kids from Zephire Generation appeared to have the most fun, they just danced and jumped and rocked the catwalk!

MOPPIT

MOPPIT

MOPPIT

MOPPIT

MOPPIT

MOPPIT

INDUSTRIE KIDS

INDUSTRIE KIDS

JUST JEANS

JUST JEANS

ZEPHIRE GENERATION

ZEPHIRE GENERATION

ZEPHIRE GENERATION

ZEPHIRE GENERATION

REPLIKA REVOLUTION

REPLIKA REVOLUTION

REPLIKA REVOLUTION

REPLIKA REVOLUTION

MEGAN PARK GIRL

MEGAN PARK GIRL

MINIHAHA

MINIHAHA

Moppit

Industrie Kids

Just Jeans

Zephire Generation

Replika Revolution

Megan Park Girl

MiniHaHa

Posted in StyleFiles, fun, industry, trendsComments Off

Gone are the days when an old tea towel or a bit of tinsel would suffice to create the perfect nativity costume, it seems. Instead, children playing wise men in the school play are more likely to wear sparkly turbans on their heads and those starring as angels will be in glamorous costume jewellery.

In an effort to make their child the star of the show, pushy parents are spending more than £150 on designer costumes. And bosses at Debenhams are so concerned about the trend – dubbed Manger Chic – that they are trying to persuade customers to see sense. Ed Watson, spokesman for the department store, said: ‘The amount of money that some parents want to spend on their child’s nativity play appearance would enable Baby Jesus to leave the stable and check in to a five-star hotel.

‘It’s silly and we’re doing all that we can to persuade competitive parents to change their minds. Their sons and daughters will still look wonderful wearing a pair of pyjamas and a sheet rather than the latest dress or coat straight from the high fashion catwalk.’ Staff noticed the trend about a fortnight ago as the annual festive play rehearsals got into full swing. They were suddenly being asked how to make the event a little more ‘upmarket’.

While most parents simply wanted to know how to use cheap, readily available materials for the greatest effect, others have been insistent that only the best will do. Virgin Marys are appearing in luxury pashmina shawls and velvet dresses, while shepherds are opting for striped velour dressing gowns. Parents whose children are playing minor roles, such as the donkey or sheep, are sometimes prepared to spend double the amount of those buying to dress Mary and Joseph, added Mr Watson.

‘They feel they have to compensate for their child’s minor role by putting on a much greater display of Manger Chic to win attention,’ he explained, before blaming the demand for places at good schools.

‘Parents have said they feel they have to teach their children to excel at everything from a very young age. They have to possess an exemplary CV, including a star role in the nativity, if they want to gain a place at a coveted school.’ Many parents may also panic in case they are expected to make their child’s costume but do not know how to, he added.

‘While we applaud parents for wanting to do their very best for their children, we feel certain that the story of the Nativity can still be told using very simple materials.’

Among the most popular exotic costumes are a £40 ivory bridesmaid dress for angels, a £60 arctic fur throw for sheep and a £21 blue velvet dress for Marys.

A grey fleeced duffel coat costing £14 is also proving a hit. When ears are added to the hood, it makes the perfect donkey costume.

Source: The Daily Mail.

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For more than a decade she was the height of fashion, designing clothes for Kate Winslet, Cherie Blair and Princess Diana.

Then Ronit Zilkha became an early victim of the credit crunch, as her label’s holding company went bust owing £3.5million. She saw her stock sold off and her flagship store in Marylebone High Street close.

But two years on, and with the economy in recession, she has relaunched her label – with designs based on ideas from her eight-year-old daughter Ella.

Ronit Zilkha with her daughter Ella

(above: mini-me: Ronit Zilkha with her daughter Ella, eight, who helped design her new children’s collection)

Ms Zilkha, 42, has created a collection of cashmere dresses, cardigans and accessories for girls in her new, self-funded venture, LuLLilu.

She said: “Ella hates going shopping and she hates most clothes, but when she finds something she likes she wears it to death. We sat down and I picked her brains and together we came up with this concept.

“She has now become a budding designer, sketching out designs, choosing colours and showing me what’s what on a computer. I couldn’t have done it without her.

“This is the first time I’ve put my name to something since my business collapsed. In the last two years I’ve been designing for other people.”

Ella asked her mother to name the company after her so they used her nickname, Lulli. She also helped pick the names of the garments – inspired by friends and film stars she admires.

Ms Zilkha said: “We have an Audrey dress after Audrey Hepburn, a Ruby teddy bear after a friend and a Jackie cardigan after Jackie O.”

She said cultural influences on children’s clothes were important, citing the “mini-me” trend of outfits based on parents’ wardrobes. Burberry has reported a 50 per cent rise in childrenswear sales.

“The bottom line is children’s clothes should not be about pink for girls and blue for boys,” she said. “Children are reading magazines, they are watching celebrities and they like the whole mini-me idea.” But Ms Zilkha has found the mini-me outfit works both ways – she is preparing an adult LuLLilu range after customers asked if she could adapt her children’s clothes.

Princess Diana’s patronage made Ms Zilkha one of Britain’s biggest designer names. She owned seven stores, in London, Windsor and Birmingham, and had an annual turnover of £7million. In 1997 Cherie Blair wore one of her suits when she first walked up the steps of 10 Downing Street. But the connections could not prevent Ms Zilkha’s label closing. She said: “It is no secret my business collapsed. These things happen.

“Now I have something new and exciting to focus on. It has been a lot more fun designing for children than it ever was for adults.”

Source: Evening Standard

Posted in Europe, Luke (BCN), StyleFiles, industryComments (0)

12
Nov
OnLocation: StyleFiles
Stella McCartneys fashion range for Gap Kids.

Stella McCartney's fashion range for Gap Kids.

Here’s a perfect winter party dress. It has this season’s ruff neck, some green and red splodges, and it’s made of fine silk with a flippy hem. It is, in short, the sort of dress to have fun in. At €200, mind, the price tag is a little hefty, especially when you consider that this particular Marc Jacobs minidress is more mini than most: it’s for a two-year-old.

The childrenswear market is booming. Each week brings news of another major launch. In the last month alone, Stella McCartney has created a range for Gap Kids, with a leopard-print sweater dress for £80, French Connection has moved into babywear and online retailer Asos has launched its own childrenswear range. This year Jean Paul Gaultier sent children down his catwalk ahead of another launch and in the last 18 months Burberry has opened seven childrenswear boutiques, all oak floors, white lacquer furniture and dark chrome fittings. When did moodiness become a look that suited children?

“They all think about it at some point,” says Marie Soudré-Richard, founder of Little Fashion Gallery, the children’s equivalent of Netaporter, which has almost sold out of that splodgy Marc Jacobs dress, “except Chanel.” She should know: she has enough clout to have declined to stock Burberry (those checks are still problematic, post-Danniella Westbrook) and Jean Paul Gaultier (too bling), and to make Ralph Lauren wait until its designs were edgy enough to fit the image of her boutique. But why is childrenswear the focus of so much retail activity?

“I shop for my children relentlessly,” says Lorraine Candy, editor of Elle and mother of Sky, Gracie and Henry. She buys at least two things a week for them, and that’s twice as many items as most of her colleagues buy for themselves. “My eldest is seven, my youngest is three. Five years ago I didn’t have anywhere near the choice I have now. And every time you go [to the shops] there are new things to look at. It’s the novelty, the cuteness factor of everything. You think, ‘Look at that! It’s Stella McCartney, but it’s small. There’s something toy-like about it all.”

Shopping for childrenswear is compulsive for some – a souped-up version of fast fashion, in which not only the seasons and the quest for novelty propel us tillwards, but also our children’s rate of growth: before anything is grown tired of, it’s grown out of. In this context, shopping is not frivolous but suddenly an act of parental responsibility. You can see how this gets expensive. In this universe the news that Bonpoint, the French design house, is planning a children’s beauty line is unsurprising – after all it already sells a scent for children (£47).

It is easy to dismiss such innovations as the excesses of the top end of the market. But is perfume for babies any sillier than the pair of wet-look harem trousers for two- to eight-year-olds on sale for £12 at Asos? There are now excesses across the board. Cashmere childrenswear, conventionally seen as a folly of the pricey boutique, is now on sale at Benetton (£43 for a tank top) and even H&M.

Childrenswear has become a mature market, says Maureen Hinton, a retail analyst at Verdict Research, which puts its total value at just over £4bn. Matalan, Marks & Spencer and Mothercare are all registering year-on-year growth. Sales of John Lewis childrenswear are up 30% year-on-year. Strangely, as the market grows, the refuges for those seeking to spend sensibly are getting rarer. The places where a parent might shop themselves – Benetton, Gap, Zara, say – are comparatively more expensive when it comes to childrenswear. Thus you would need to spend £17.90 for a beautiful, crisp white shirt with ruff collar for your daughter at ­ Benetton, but could buy a similar style for yourself for a disproportionately reasonable £32. A girl’s pleated miniskirt at Zara costs £22.99 – not exactly a scaled-down price tag.

“These retailers have gone into childrenswear because it’s a natural extension of adultwear,” Hinton points out, “especially if you’re building a lifestyle brand. If a retailer specialises in womenswear and wants to add on a range, it’s easy to do the mini-mes.”

That’s a phrase at which Soudré-Richard flinches. “It is quite negative. And I don’t think what it describes is negative,” she says. “It’s not negative to dress your kids in a similar style to the way you dress yourself. It’s just natural.”

But could there be a degree of sexism in all this talk of the mini-me? When Jarvis Cocker’s son Albert attended the premiere of Fantastic Mr Fox dressed in Cocker-esque purple shirt, blazer and black-rimmed spectacles, no one condemned his father for foisting his dress sense on his child as they did when Westbrook dressed her daughter in Burberry checks all those years ago. What the photographs of the Westbrooks and the Cockers jointly prove is that there is something in the replication and miniaturisation of adult design that tickles.

Haven’t we always been entertained by the sight of children fooling around in clothes beyond their age? My 70s family dressing-up box contained a sequined black lace cape with hood that Nan had worn in the 20s and dresses that were at least 2ft too long: the size was part of the fun. It is the miniaturisation of adult designs – and the smallness or our children when they dress up in grownups’ style clothes – that catches the eye and amuses. That is why pictures of three-year-old Suri Cruise in miniature high heels trigger the same instinct to balk or laugh as Velázquez’s 350-year-old portrait of Las Meninas.

“There have always been connections between adults’ and children’s clothes,” says Noreen Marshall, who has curated the childrenswear collection at the Victoria & Albert museum since 1978.

At the V&A’s Museum of Childhood in Bethnal Green, east London, where Marshall has her office, no one is stopping to look at the forlorn mannequins in stiff velvet suits and stuffy silks. Talk to parents here and it is hard to work out who is spending the money that is luring so many brands in to childrenswear.

Spinning the steering wheel in the climb-aboard police car is Eden-Lotus, nearly two. Her mother, Jade D’Cruz, says she has never bought her a dress because they are too costly, and that she principally shops among the “reduced to clears”. But her daughter, in a full skirt (snapped up in the sales for a fiver) and cornflower-blue sweater from Zara, with extra-long sleeves rolled up so that it lasts, looks expensively dressed. Olwen Coweg, whose children are playing nearby with the dress up shoes, shops for them at eBay and Gap. Kate Lethaby and Sharon Barker, each with an eight-month-old daughter, go “to Asda mainly” and Boden “at sale time”.

The only person who admits to spending sizeably on small clothes is Marcus McInerney who, despite having five daughters, says he is happy to fork out £80 on a party dress because “you get what you pay for”. Mind you, that comes after a long pause for thought and the admission that “My wife does all the shopping.”

Source:  The Guardian.

Posted in StyleFiles, industryComments (0)

12
May
OnLocation: StyleFiles

A four-part insight into how to buy your kids skate shoes & clothing
they actually want!

Article edited & reproduced from the Source magazine article “Kids Skate Market”,
written by Barcelona’s MiniHipster scout.

Although itself influenced, at least back in the day, by other underground urban movements, there’s no denying the extent of influence that skateboarding has had, and continues to exert, on on modern street fashion! It’s always been a youth-orientated passion, but until relatively recently it has not been a youth-orientated market.  Without doubt we’re now seeing previously dreamed-of growth in both passive interest and participation, as well as in the availability of kids-specific product.  But with skateboarding being far more ubiquitous than either snowboarding or surfing, predictions and generalisations can be more difficult to make; skate is represented in all social and economic demographics with a consistent geographic spread in Europe, Asia and North America.
Kids Skate Market

PART 2

SOFTGOODS FOR THE HARD MONEY

The development of kids gear from the skate brands we love is definitely abundant and exciting.  And these offerings are comprehensive!  We can even see skate-inspired product available for newborns…  Who would have guessed this when Vision Streetwear and Etnies started the balls rolling all those years ago?

DVS, for example, has a kids program that offers a selection of styles from the main line, the size run of which starts as low as K11 and goes up to 4.5.  They also have a Toddler offering that goes from new born to K10.5 (including a Daewon promodel! shown above left).  Quiksilver Baby offers clothes from 3 to 24 months, enabling Quiksilver Kids ranges to dress our juniors from ages 3 months up to 16 years.

And there’s functional technology coming out now too!  After seeing an absence of developmentally sound, proper fitting, affordable, long-lasting footwear in the industry, etnies’ kids product management team together with the Sole Technology Institute Laboratory recently did some in-depth research on kids shoes and the needs for size, fit and flexibility specifications that are important for new walkers or skaters.  The research showed them that the old shoes were too narrow and stiff and made like a typical athletic adult shoe instead of designed specifically for children.  Etnies’ new shoes for SS09 are wider to accommodate chubby toddler/ kids feet, open wide to make the entry easier and are much more flexible to allow for more movement. They also introduced moulded heels as although toddlers’ feet are chubby, their heels are still narrow.

On top of this Etnies’ new “Grow With Me” program allows kids to rock their favorite kicks longer with a removable component that adjusts show size.  This also reduces the financial strain that parents face when raising a growing child.  Brilliant!


A SOFT SPOT FOR HARDGOODS

More and more we’re seeing kid-specific mini boards appearing on the market, and not just some cut-down plank pressed from a regular deck mould, but dedicated boards especially made for the youngens, complete with thought-out and tested lengths and widths, and most importantly a functional wheel base. Veteran pro skater Rodney Clarke, who has his own mini pro model board, runs a weekend skate school at his local Pioneer Skate Park in St.Albans (London) and conducts a skate education program within the national education system, attests that “Decent mini boards and better range of sizes have got to be the way forward!”

Mini models are available from even the smaller European brands, such as Kama from the UK, who has always produced a proper little kids board that you can be proud to buy your son or daughter.  Adam Wood of Kama says “I think it’s important to offer this smaller size. I worked for 7 years in 2 skate shops and saw countless kids on huge decks that they could barely control.”

And, of course, many of the larger international brands now offer mini boards, even from the major leaguers such as Plan B (who’s affiliated truck brand Silver also does a mini truck for the kiddies!).  Element go as far as to offer 4 sizes in a specially designed kids range called ‘Twiggs’.  “Twig bards are pressed in a mold that has been scaled down from the featherlight mold,” informs Sally Braid.  “It makes our featherlight construction even thinner resulting in the thinnest and lightest board available.”  Perhaps you could have actually gone pro if such custom learning tools were available to you at a young age…

See also:
Part 1, “Style breakdown: The Takedown!”

Still to come:
Part 3, “Who foots the bill?”, and “Marketing: to who for whom?”
Part 4, “Ensuring the future”

…………………………………………………………………………………………

Our Barcelona scout is a regular contributor to the Source, the European boardsports industry magazine. This article has been edited & reproduced from the February issue #38 (www.boardsportsource.com)

Posted in Luke (BCN), StyleFiles, industry, skateComments (0)